Reinvention a term to embrace in strange times by Tracey Gibbs

So finally a new blog post! during the last six months on this ride with my fellows in the creative industries, I have swung by my blog and website thinking yep must update that, redo this. All with no result as reading the headline of my last one just felt like mockery, an emerging practitioner stopped in my tracks along with many of my cohort both last year and this year’s graduates struggling to figure out how to survive.

Truth is I didn’t learn a new language, become the fittest in my life, or indeed learn how to bake sourdough bread. I crashed as becoming a member of the excluded group opened up old wounds and anxiety became my everyday companion leaving me incapable of creative thinking or creation. Luckily for me, I have a very generous amazing therapist who continued to see me virtually and not letting me pay, she raised the red flag. I was not in a good place, lets just say that.

Walking became my thing, heading out every morning at around 7 am and just walking, no destination no plan. I began to discover parts of my local Salford that in 20 odd years of living here I had no idea were there, the secret meadow and my thinking oak brought peace and solace, this and some of the most incredible zooms given and hosted by amazing people began to have a healing effect on my mind and creativity and to being brave.

I began to apply for arising opportunities and was lucky to be accepted on one that was and is ultimately the trigger to opening Tracey up to her creativity once more and a path now on for reinvention, the term action learning was new to me and my fellow members of our superset meeting every two weeks until November, we are both exploring and learning who to facilitate our own though the rather brilliant The Hub co-organized by another amazing crisis group The Creative Industries Federation. It is true talking does help and can lead to action, I became braver and applied for a Creative England initiative ‘Ideate Manchester’ with StoryFutures Academy and was accepted onto a two-day intensive Bootcamp in new emerging digital technologies VR/MR/AR WOW! a head and heart-opening two weeks with my oculus headset discovering some of the most beautiful and creative works.

With this and my renewed interest in all things visual I made a little movie in my thinking tree a little share of my passion for Shinrin Yoko the Japanese method of relieving stress by tree bathing, just sit observe and open all your senses to space and sounds that these majestic alive places give us.

And now? working on a project and my first ever Arts Council application, a tad daunting but the people I am meeting and discussing the possibilities of HOYO (more next time ) is making every creative muscle in my body tingle. So why right this today? it is World Mental Health Day and it is ok to not be ok and also not, if you struggle at any time there are people and places out there. Pick up the phone, as this continues the fatigue is real and the mind is an organ like all our others and at times needs to be looked after.

A big shout out to the team of the MIF who stepped in instantly with initially daily drop in’s for artists and freelancers, giving space to just talk, check-in and now a new community of attendees and collaborations have sprung forth. Now weekly you can find details and massive amounts of resources on their website.

So more from Tracey version 4 soon, be gentle, be safe.

Here are some links to some of the best resources for us creative theatre folk and my little film

https://thehubuk.com/

https://www.creativeindustriesfederation.com

https://mindapples.org/

https://www.gm-artisthub.co.uk/

https://mif.co.uk/mif-drop-in-artists-freelance-creatives/


2019 What a Year! oh and I won an award by Tracey Gibbs

Graduating and Begining of a new Tracey and what winning an award means 

What a year it was finishing my time at the most brilliant LIPA or Liverpool Institute for Performing Arts to give it's an official name with a First ! culminating with my Paul McCartney handshake and beginning life back in the real world once more.

This proved a little more bumpy for me personally than I had bargained for, I guess as an evermore self-employed freelance person the daily structure was a lovely respite in the challenge to find ongoing work. Also the vibrant world of higher education and forging new friendships along the way, a creative and learning playground for the three years.

So the year finished on a high that was never in my mind when I began a study into stage lighting that of video design. My mission was incredibly narrow at first, then fate took part and I was brought in to creating content for what would prove one of my most memorable moments at LIPA. A true piece of collaboration with set designer Kirsty Barlow and Director Will Hammond for the production of Love of the Nightingale. I was sold! two months of self-learning of many adobe platforms including After Effects and Premiere Pro (ongoing) I went on to create content for dance and musical productions in my final two years.

 The annual Association of Lighting Designers awards for recent graduates was fast approaching and I was keen to enter, but which me? The lighting designer or this newer crossover with my photography life that as a video designer? After consulting with my amazing lecturer and lighting designer Sofia Alexidou I made the decision it would be video.

Having entered photography awards with some success pushed me along creating my interactive portfolio. Early December arrived and no news! the waiting is the worst part, then news, what a great email day that was I had won! Attending the lunch in London with Sofia was brilliant and to add that title to the new Tracey took a bit of getting used to, resisting adding it to my website and email signature. A trademark of Tracey has and to a certain extent still here is to play down my achievements and fill that hole with a whole load of self-doubt. But this award given by my professional piers has increased both my confidence and belief which I think is one of the best bi-products from any award, as we are often in the creative industries our harshest critic!

So here I am a recent graduate seeking collaborations and work in the world of theatre and performance, the year has got off with a bang more of soon, with projects in discussion including lighting and video design for a one-woman show. Still learning and working on the skill set I got from my time at LIPA and every now and then a visitor back there as one of their preferred photographers which is great as I get to keep my ties with a place I loved every second of .

So Happy New Decade from me Tracey Gibbs Winner of the I-Blue Media Award for Excellence in Video Design

here is the link to my winning portfolio which gives you an insight into both my work and methods

https://indd.adobe.com/view/443ebaaa-363e-4c3f-9d9f-b9a2677e78ca

Got me a Gimble by Tracey Gibbs

So the first few months post university have been interesting and a tad nerve wracking, trying to find oppourtunites with my new found skill sets. By the way I did manage a 1st which was beyond any of my expectations and I am very proud of myself for that one!

Still, I need to try to keep the newly acquired knowledge alive and well, earn money. So my new daily routine now includes searching amongst Art job websites and contacting directors, theatre companies to connect with and hopefully collaborate.

With all things projection in mind my long-time friend and client, the talented James Roberts superstar hairdresser contacted me to help them get there salon projector working properly and create some content featuring the range of work they do along with the rather fabulous Nataya Beauty who operates from the same premises. To get something to test I created a little movie with our 20 odd years of working together on hair shoots for the salon, including some award-winning images for competitions such as the prestigious L’Oreal Colour Trophy. This was a lovely look back over years of collaborations with exceptional makeup artists and stylists we have here in Manchester and some incredible models, some of whom have not been professionals. Also, a chance for me to have a little nostalgic look at past exploits in the realm of analog photography! (yes we go that far back) along with the film I did for him in my second year where I had begun to use the brilliant Sony A7II at Lipa to create content for my projection designs.

So it was back to the salon to film some more content featuring a new inovative colour product from L’oreal .

I had up to this point only filmed hand held with my go to app Filmic Pro, which produces astounding 4k from my iphone , after revisiting their website and looking through some tutorials I knew I had to get a gimble ! just the ability to operate from the unit and experiment with angles etc was too enticing but on a very tight post university budget where to find one? I love e-bay !! previously to film Phaedra as part of the Love of the Nightingale production at LIPA I had sourced a great bit of kit a Moondog anamorphic lens for a great price, now to the gimble.

https://www.filmicpro.com/

https://moondoglabs.com/

And boom result! got me my very own ZHIYUN SMOOTH 4 for a fraction of the price and in mint condition. So having spent the weekend playing and getting to grips with the controls, I headed back to the salon for a morning of filming.

Had a blast with it and learned lots more about approaching shoots with the iPhone, I am on the lookout for a cheeky second hand Sony but until the right one at the right price comes along this is a good answer to getting the footage I need. Also now waiting on some little bids back on my friend e-bay for a portrait lens addition to my iPhone camera set up.

The results are as I type been projected onto a wall here :)

http://www.jamesrobertshairandbeauty.co.uk/

and on the Instagram account here

https://www.instagram.com/jrhairandbeauty/